Ian Cohen of Pitchfork Media gave the album a favorable review, stating, "The directness with which it speaks to its audience makes it easy to imagine Celebration inspiring a lot of its younger listeners to start a band.
#TEEN SUICIDE BAND ALEC FULL#
ĭavid Sackllah of Spin praised the album, stating, "For a lo-fi project, Celebration is a particularly imaginative, lengthy work full of vivid character portraits, using additional instrumentation and computer-generated distortion to expand far beyond the boundaries of more straightforward guitar-driven indie acts." At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 6 reviews, which indicates "generally favorable reviews". It's the Big Joyous Celebration, Let's Stir the Honeypot received largely positive reviews from contemporary music critics.
#TEEN SUICIDE BAND ALEC PROFESSIONAL#
“Him or Me – What’s It Gonna Be?” – Paul Revere & The RaidersĨ.Critical reception Professional ratings Aggregate scores “You Just May Be the Other” – The Monkeesħ. “I Want to See the Bright Lights Tonight” – Richard & Linda ThompsonĦ. “One of These Things First” – Nick DrakeĤ. “Time Will Show the Wiser” – The Merry-Go-RoundĢ. “Stepping up to the mic to sing them for the first time with our incredible band was truly exhilarating if a little terrifying.”ġ. “These were songs I admired and adored and had listened to on repeat for pure pleasure, but strangely, had never sung,” Hoffs said of the album in a statement. The tracklist also includes renditions of Nick Drake’s “One of These Things,” the Monkees’ “You Just May Be the One,” the Velvet Underground’s “Femme Fatale,” Prince’s “Take Me With You”, and Syd Barrett’s “No Good Trying.” It was a true honor having her join me on ‘Name of the Game.’’Īlong with her rendition of “Name of the Game,” Bright Lights will feature Hoffs covering other songs that have played a pivotal role in her life. When I was setting about recording ‘Name of the Game’ (with producer Paul Bryan), Aimee’s name sprung immediately to mind. Aimee’s voice is iconic and instantly recognizable, and I’ve long wanted to record with her. But when the chorus arrives, there is an opening up, an almost exalted intensity and release, an outpouring of all of those emotions, made even more poignant, knowing that Pete Ham, the singer and songwriter of the song, suffered so deeply.”Īs to why she wanted Mann to join her on the track, Hoffs says: “I have known Aimee Mann since the Eighties and count myself extremely lucky to have had the privilege of performing with her numerous times. “The song’s verse lyric deals with coping with life’s difficulties and challenges, and those feelings are reflected in the verse’s gorgeous somber melody.
“There is a beauty and a poignancy to ‘Name of the Game’ which has always moved me deeply,” Hoffs says. She subsequently fell in love with the group’s big radio hits - “No Matter What,” “Baby Blue,” and “Day After Day” among them - but it wasn’t until she was a little older that she came upon “Name of the Game.” Hoffs tells Rolling Stone in an email that she first discovered Badfinger when she was a kid and heard the group’s Paul McCartney-penned tune “Come and Get It” in the 1969 film, The Magic Christian. Hoffs and Mann largely trade off verses, but there are plenty of pristine harmonies, especially when they belt the hook, “Oh don’t refuse me/If you choose me you’ll follow my shame/No, don’t confuse me/For I know it’s the name of the game.” Where Badfinger’s 1971 original is a potent power-pop ballad, Hoffs imbues her rendition of “Name of the Game” with a tender sway and even a bit of country twang in the guitars. The Bangles’ Susanna Hoffs has tapped Aimee Mann for a new cover of Badfinger’s “Name of the Game.” The track will appear on Hoffs’ upcoming covers album, Bright Lights, out November 12th via Baroque Folk Records.
0 kommentar(er)
